Transgender Rights

"International Acclaim and Domestic Controversy Surround 'Emilia Pérez' Musical"

The musical "Emilia Pérez," directed by Jacques Audiard, tells the story of a Mexican cartel leader who fakes their death and is reborn as a heroine in pursuit of those who have gone missing. While it has garnered international praise and major accolades like the jury prize at Cannes and four Golden Globes, including best non-English language film, the film has received a mixed reception in Mexico, where audiences are questioning its authenticity and sensitivity towards topical issues.

As clips of Selena Gomez, who stars in the film, circulated online, many in Mexico were unaware of its existence until then. This led to mixed reactions, with some, like Mexican actor Eugenio Derbez, critiquing Gomez's performance, leading to an apology after backlash ensued. The film drew ire for being set in Mexico yet largely produced by non-Mexican talent, with heavy stereotypes and unnatural dialogue noted by viewers online, prompting jokes about its screenplay potentially being written with tools like Google Translate.

Karla Sofía Gascón, a Spanish transgender actress who plays the lead role, spoke out against the criticism, claiming it stemmed from a few individuals with personal agendas that detracted from support for Mexican cinema. In contrast, criticisms regarding the film’s representation of trans identities highlight concerns that it perpetuates outdated notions, leading LGBTQ+ advocacy groups like Glaad to express disappointment in its depiction.

Moreover, the film has been scrutinized for trivializing the severe issues of violence and disappearances in Mexico, where the nation faces significant challenges with organized crime and human rights violations. Activists voiced that celebrating a film like "Emilia Pérez," which confronts such real atrocities through a comical lens, is distasteful, especially given the ongoing crisis related to trans women and widespread violence in the country.

Despite the ongoing debate over its merit, "Emilia Pérez" is currently a strong contender for the upcoming Oscars, selected as France’s entry for best international feature film. In light of its success, Audiard has also mentioned a potential prequel, exciting some fans while leaving critics skeptical about the film's impact and intent.

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10 Comments

Avatar of Rotfront

Rotfront

This film erases Mexican voices. Give the mic to those directly impacted, not Hollywood ego trips.

Avatar of Matzomaster

Matzomaster

There's a difference between satire and mockery. This falls into the latter, shame on everyone involved.

Avatar of Karamba

Karamba

I loved Emilia Pérez! Funny, action-packed, and makes you think. Great job, Jacques Audiard!

Avatar of Matzomaster

Matzomaster

Selena apologizing for bad acting doesn't fix the film's bigger problems. It's the whole package that's offensive.

Avatar of Karamba

Karamba

Karla Sofía is right, there's an agenda against this film. Let's support Mexican talent!

Avatar of Eugene Alta

Eugene Alta

It's just a movie, people. Don't take it so seriously. Relax and enjoy the ride.

Avatar of Katchuka

Katchuka

The jokes are hilarious! Glad someone dares to make light of a difficult situation.

Avatar of KittyKat

KittyKat

Selena is amazing in this role, she deserves all the recognition. Stop hating!

Avatar of Katchuka

Katchuka

Ignoring criticisms and pushing for awards shows how out of touch the creators are.

Avatar of Noir Black

Noir Black

Selena is owning up to her mistakes, good on her. Let's focus on the film's positive impact.

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